He goes to the extent of punishing the students inhumanly when the new unjustified demands of the school are not fulfilled by the parents.
Slowly his doubts prove true as the School Manager - Sharma (Saurabh Shukla) makes many monetary obligations compulsory on the parents in the name of extracurricular activities. Though he strikes instant rapport with students and teachers alike, he realizes that there is something amiss in the school. The story begins with a new English Teacher Rahul Prakash Udyavar (Shahid Kapoor) joining Swaraswati Vidya Mandir school, situated in the outskirts of Mumbai Suburbs. Shaapit Hua Kya Kya Hota Hai Aditya Narayan, Sunidhi Chauhan Hayaati Ye Hayaati Kehati Chirantan Bhatt, Hamza Faruqui Kabhi Na Kabhi To Miloge Aditya Narayan, Suzanne, Chirantan Kabhi Na Kabhi To Miloge (Rock) Chirantan Bhatt, Aditya NarayanĪjnabi Hawaein Bekrar Bahein Chirantan Bhatt, Shreya GhoshalĬhaahta Dil Tumko Tum Nahi Jaante Aditya Narayan, Suzanne Now, the logic is simple - the spirit has to go to its own world so that Kaya can get married to Aman. Turns out that a menacing spirit is controlling the curse, making it manifest every time. He finds out the reason behind the curse. First, he meets Pashupathi (Rahul Dev) who is a man with an esoteric knowledge of spirits, old and new. Thus the director establishes the main theme of the movie: ‘A Tale of Love and Fear’.Īman starts his journey to dark spaces and haunted spheres. Now, as an exemplary Bollywood hero, he will fight fear for love. Obviously in order to stay together they have to get married (it’s Indian society), but Kaya is unmarriageable. So what will her lover Aman (Aditya Narayan) do? He doesn’t want to lose her at any cost. The heroine of the film Kaya (Shweta Agarwal) is cursed not to get married ever. To strike fear into audiences, a buri atma is back and a three-hundred-year-old curse runs through a family, resulting in the killing of girls who are about to get married. As a successful director of two horror films, Bhatt again plays safe with the basic theme of the film. Not even the killings by the schizophrenic foxy send as much as a shiver down your spine.Īfter 1920, Vikram directs a set of newcomers again for ‘Shaapit’. Even the truth about Neetu’s mental condition, unravelled much later in the movie, doesn’t hit you like a bolt from the blue. A viewer can clearly foresee what’s going to happen next. The basic problem with ‘Apartment’ is that it doesn’t have an element of shock or surprise. Neetu dedicatedly and dutifully throws herself into caring for her didi Tanu but she gradually and obsessively takes over her entire life - her clothes, her apartment and even her boyfriend. Soon Neetu and Tanu become best of chums. Enters Neetu, a small-town Miss dowdy with twin plaits and bashful demeanour as Tanushree’s new tenant. Tanushree Dutta mostly glowers and scowls as the air hostess who kicks out her live-in boyfriend Rohit Roy just on the suspicion that he is cheating on her. In ‘Apartment’ it’s Neetu Chandra who holds your attention playing the foxy in a kitten’s skin. For how many times do we see a Plain Jane turn into a mean fox in Bollywood films?
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